Playable Secondary Characters

In most The Legend of Zelda games, Link is the only one who makes a major effort to defeat evil, through exploration of dungeons and victory against enemies and bosses; also, without his intervention in sidequests, most of the non-playable characters never see their troubles solved, assuming they're not in danger of dying. And when there are allies that do help the young hero, they generally perform their correspondent actions, without needing the help of Link, and thus not being controlled by the player. In some games, however, this is not the case; there are allies that not only help Link through his quest, they can be temporarily controlled by the player, generally through an ability from the protagonist to guide them.

When this happens, the control scheme is similar to that to play as Link, albeit obviously more restricted since they don't have in common the same skills or the same tools, and thus what they can do doesn't go beyond what the games' situations or conditions demand to them. And in most cases, controlling these characters are one-time features, so it's ensured that there is nothing optional in the games that can only be obtained by them. Over the course of years, fans have suggested this feature to be available for Princess Zelda, though it wasn't until Spirit Tracks when this idea finally came into fruition (as far as canonical games go, of course).

General
In the Zelda games based on the Four Sword legend, such as Four Swords Adventures and The Minish Cap, there is an interesting variation of the concept: Link splits himself into four separate versions of himself. In both the former and the Game Boy Advance version, each version of Link can be controlled by a different character, and while they can compete on multiplayer mode, they must work together to solve puzzles, beat enemies and find success on their quest. In The Minish Cap, only one player can control them, and the forms of Link must be gained one by one as the quest progresses.

Majora's Mask
In Majora's Mask, there is only one character other than Link and his alternate forms that can be controlled, and only during a sidequest. This character is Kafei. As Link helps him and Anju to reunite each other, there is a moment when a mask must be retrieved in Ikana Canyon, specifically inside Sakon's Hideout; this mask is the Sun Mask, and the only way to take it back is through a team work. Indeed, Link explores a passage full of enemies while Kafei explores one paralell to the other and solves block puzzles. The player must alternate between controlling Link and controlling Kafei so that the objective can be completed. Kafei cannot use any items since he doesn't have them in the first place, and because he doesn't need to attack enemies, he just can't anyway.

The Wind Waker
In The Wind Waker, the concept of controlling secondary characters is developed further, especially with the introduction of the Command Melody, which is based on mental control. The ability's first volunteers are the servants of the gods that rest in the Tower of the Gods. Although Link can bring the first statue from its resting spot to the central rooms of the dungeon's second floor (a necessity to reveal the whereabouts of the boss, Gohdan) without having to control him, the other statues cannot be brought the same way, since certain obstacles impede both them and the carrier to travel together; this is the moment when the aforementioned Command Melody plays its role, allowing Link to mentally guide the statues across the obstacles until reching their destination. They have no attack-based moves.

After Link beats Forsaken Fortress and rescues his sister, he needs to escort the new generation of sages towards the Earth and Wind Temples. The new sages are Medli and Makar; the former is a Rito who can temporarily fly and, additionally, use her harp to reflect light; the latter not only can fly as well, but also can plant seeds for trees to grow. The temples' respective puzzles earnestly demand the mutual manifestation of these skills with Link's; for example, in the Earth Temple, there is a huge room where Medli must give light to the side of a face-like statue with her harp, while Link does the same to the other side with his Mirror Shield, and this itself is only possible after they work together to remove light-sensitive boulders so that certain mirrors can be moved to key positions and participate in the illumination. Another example is the Wind Temple, where Makar plants seeds so that some trees can appear and Link can hop on chasms with the Hookshot, which is important to progress further in the dungeon.

The following aspects apply for both Medli and Makar:


 * If they're hurt, Link loses control of them and must defeat the enemy messing with the exploration, then play the Command Melody again.
 * They are at risk of being hijacked by Floormasters, which leave the character to rooms a bit far from where Link is. In the case of Makar, this is inevitable for the first time.
 * They can be called by Link when the R button is pressed. Also applies for the statues (it should be noted that this is a very rare ocassion when Link speaks).
 * Link must carry them with them when travelling from one room to another. Also applies to the statues.
 * They can't participate in boss or sub-boss battles, since they can't enter the opponents' rooms; even if Link carries them, they'll be left behind by him.

By using the Tingle Tuner, Link can summon Tingle, who must be controlled by a second player via a connected Game Boy Advance to the GameCube. Various actions can be done, such as detecting and unveiling special statues in dungeons, have said dungeons' layout already available (regardless of whether or not the Dungeon Map has been collected already), purchase special items, etc.

Finally, Link can control seagulls, albeit with a different method. When he hold a Hyoi Pear on the top of his head, any nearby seagull will eat it and be automatically controlled by the young hero; this comes in handy when there are switches that are extremely far from Link's reach, and not even his trusty arrows are enough to activate them. When controlled, the seagulls are pursued by Kargaroc enemies for some reason, and Link must protect his posessed hosts by flying away from them. A little used strategy is to first attract the hostile birds towards Link so that he can vanquish them, then use another pear to regain control from the seagull.

Twilight Princess
In Twilight Princess, there are a few creatures Link can either control or give commands to. The first of them is the Cucco. In most Zelda games, hitting one too many times will attract many other Cuccos, who will attack link in revenge until he either dies or leaves the area in particular; in this game, what actually happens is that the Cucco is controlled by Link for a brief time; however, there is no reported use for this strange feature, which hasn't been seen again in any other title to date. Also playable is a Kargarok who takes Wolf Link with it as long as Midna has it under her domain; this creature can be called in Lake Hylia for a mandatory travel during the influence of the Twilight, then for a mandatory tear light hunt suring the same period, and finally for an optional minigame when Lanayru Province is purged from darkness.

A partial variation to the concept is seen with the sacred statues controllable via the Dominion Rod; when Link launches the rod's beam to a statue, it moves exactly as Link does. This doesn't count completely as an example since the player is still technically controlling Link during the process (it's more similar to when he moves on par with certain creatures found in some rooms from the Palace of Darkness in A Link to the Past).

Spirit Tracks
In the game, the player has to not only control Link's journey, but Zelda as well, as long as she possesses a Phantom.